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julie bush telling stories from the future hollywood is the most successful propaganda machine of all time hollywood , women hollywood’s fake news marketing campaign against women has worked the dinosaurs are happily making movies and tv shows, seemingly unbothered by the shadow hurtling toward them. the shadow is a meteor and the meteor is bad artists. bad artists — the white men who have so successfully narrativized and marketed patriarchy and white supremacy and the women who act like them to get their jobs — have turned hollywood into a massive scaled algorithmic propaganda machine that affects us so deeply we’re almost unable to see it. * * * hollywood has run a massive advertising campaign at scale targeting almost every human in the developed and some of the developing world for the past one hundred years. hollywood has a feed through which it’s been disseminating fake news to every screen on earth — multiplex theaters and mobile phones, through massive tentpole movies and the tiniest web series and the advertising campaigns and the merchandizing and the pr tours and the talking points that accompany these money-making ventures — trying to reach as many eyeballs as possible and as repetitively as possible (franchises and long-running series) because this is where the real money is. fake news? but that’s not fair — they are making fiction. they (we) are spreading fake news, just like the social networks, because we are making propaganda that presents a fake reality. we create a picture of reality as created by white men (almost exclusively) and in which patriarchal white experiences are the preferred experiences, the dominant experiences, the situation worth preserving, the good ole’ days, “traditional” values. and because this fake news is the way we zone out after work and entertain our children, this becomes our culture. the people who get to create hollywood’s fake news get to create our culture. * * * empirical studies show that marketing doesn’t happen instantly and it doesn’t happen when you’re being told it’s happening. any given marketing push might push your perception of a brand 1–2% , but that push can have profound effects at scale over populations. it can change the outcome of an election. hollywood’s hundred-year marketing campaign for misogyny, racism and the maintenance of white supremacy and patriarchy distributed to eyeballs worldwide could have moved perceptions at least 1–2% or far more in favor of white supremacy, patriarchy, and ultimately fascism. add the compounding effect of algorithms — the fact that an increasingly profit-driven corporate environment coupled with more sophisticated data science allows platform owners to show audiences more of what they think they already want to see (preferences) based on what they have been conditioned to like by those same platform owners. hollywood’s algorithms are clumsy and old-fashioned, run by bloated expensive marketing departments who have rusty old prediction tools to go by (including their gut). newer tech companies use real algorithms, which make their ability to serve you more of what you already like faster, more dangerous and more powerful. the effect of the old-fashioned marketing department’s gut instinct just compounds faster. facebook learned that fake news out-performed real news for enagement and so was willing to continue knowingly serve fake news to users, primarily on the far right, compounding and distorting perceptions just to make money. they knew they were ginning up the fascism machine. for money. you have a generation of tech bros who grew up on the first kind of algorithmic social feed showing them more of what they already knew and liked (hollywood marketing patriarchy directly to them and their tastes) going on to create an even more dangerous and powerful version of what hollywood taught them was ok — with everyone denying responsibility for their actions when their propaganda machine enabled the rise of fascism in america. * * * in the aftermath of november 8, 2016, people pointed to a lot of causes of the trump victory, but i didn’t see very many people talking about gender. one of the greatest lies we’ve witnessed lately is the collective delusion that obama’s election and popular terms as president meant that white supremacy in america wasn’t as virulent as ever — and maybe even growing. “ but 53% of white women voted for trump! ” people were saying, meaning, gender wasn’t a factor here. there were certainly many factors, including voter suppression, dnc failure to appeal to struggling americans, russia interference, the media’s false equivalence between a qualified candidate and a dangerous one, facebook and other monetizers of fake news, the fbi’s interference with comey’s agenda-driven investigation into a fake email scandal, and mainstream media outlets’ willingness to allow themselves to become a “host body” for far-right disseminators (like trump strategist steve bannon) of investigative attacks against clinton that fanned the illusion of scandal using the trustworthiness of places like the new york times as cover. but if you take a higher level view, at least some of these causes were really about gender. we are talking about a culture that despises women. a culture that wants women to stay in our places as the quiescent, submissive, underpaid or unpaid permanent underclass that serves men and allows men to continue staying in power. this culture gave steve bannon his huge ratings on his long-running hillary clinton “narratives” (a hollywood word if i’ve ever heard one) in his early days at breitbart news, eventually leading him to establish an entire institute funded with millions to scour the dark web for his “investigations” and plant the results in the new york times and other legitimate news organizations. steve bannon — the self-professed neo-nazi that trump has made his chief strategist — is a bad artist. this woman-hating culture enabled the media’s false equivalence between an accused sexual predator and someone accused of deleting emails — or at least helped perpetuate it. the media are bad artists. most people don’t know that they hate women. it’s just a low-level feeling that surrounds them. men are good until proven otherwise, and women are only good if they stay in place. if they successfully perform roles that look and feel traditionally female. and if they don’t, time to jump on social media to share those feelings. where we’ll be greeted with algorithms that aggregate other reactions that compound the gut feeling i already have from my misogynist culture. yeah, it really does feel bad that she’s stepping out of line. she must be crooked and a liar , like the new york times said. both men and women have these gut reactions. they are not limited to women they see in the news or above themselves. they feel that way toward people at work, people they’re considering for jobs. when women experience it, it’s called internalized misogyny. * * * patriarchy is invested in women taking the women’s jobs. because so long as men get to keep the men’s jobs and women stay in their assigned roles — the women’s jobs — everything looks and feels like it’s more or less the same. we get pats on the head and the women’s jobs and limited power that they dole out to us. but they won’t give us real power. what they won’t do is give us real platforms. they won’t let us do the important work, or be paid enough to be able to take risks required to do that work on our own. they won’t let us make or direct or write the prestige pictures or shows that people actually pay attention to. it’s one thing to hire a woman in some woman job and it’s another thing to give a woman power. give a woman a platform where she can shape a narrative directly and actually reach large numbers of people. women find it very difficult to get financing, in hollywood, silicon valley, everywhere, for this reason. i’ve been more and more outspoken about sexism in hollywood ove

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lse.ac.uk

Whois Information

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Domain Name: JULIEBUSH.NET
Registry Domain ID: 1560923822_DOMAIN_NET-VRSN
Registrar WHOIS Server: whois.enom.com
Registrar URL: http://www.enom.com
Updated Date: 2019-01-27T05:16:30Z
Creation Date: 2009-06-30T23:31:33Z
Registry Expiry Date: 2020-06-30T23:31:33Z
Registrar: eNom, LLC
Registrar IANA ID: 48
Registrar Abuse Contact Email:
Registrar Abuse Contact Phone:
Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Name Server: NS1.VPSHARED.COM
Name Server: NS2.VPSHARED.COM
DNSSEC: unsigned
URL of the ICANN Whois Inaccuracy Complaint Form: https://www.icann.org/wicf/
>>> Last update of whois database: 2019-03-07T02:25:06Z <<<

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  REGISTRAR eNom, LLC

SERVERS

  SERVER net.whois-servers.net

  ARGS domain =juliebush.net

  PORT 43

  TYPE domain

DOMAIN

  NAME juliebush.net

  CHANGED 2019-01-27

  CREATED 2009-06-30

STATUS
clientTransferProhibited https://icann.org/epp#clientTransferProhibited

NSERVER

  NS1.VPSHARED.COM 23.95.217.10

  NS2.VPSHARED.COM 23.95.218.10

  REGISTERED yes

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